“They don’t make ’em like they used to” is the usual cry from action film aficionados who idolise everything from the 80’s. Apparently todays modern actioners don’t stack up to the golden oldies and everything was done much better before anyone had ever heard of CGI or 4k digital projection. In the case of Die Hard and the like, fair enough, a very valid point. But are todays actioners just like that annoying little kid trying to act cool in front of the older, cooler kid in the corner wearing a leather jacket and smoking? Absolutely not.
In Arnie’s case however, most of his better output came in the days before politics came a-calling. The likes of The Last Stand and Escape Plan genuinely do not stand up well to the likes of cult classics like Total Recall, Predator etc etc. Let’s be honest, most of us at one point or another have shouted in a friends face “GET TO THA CHOPPER!” Chances are that we probably won’t be quoting Arnie and Johnny Knoxville’s witty ripostes from The Last Stand in 20 years time.
And now we move on to another post-politics Arnie flick with Sabotage, a tale of how a crack DEA team starts getting picked off one by one after a bungled attempt at stealing some cartel money. Anyone looking for the usual Arnie one liners, a bucket-load of action and three breasted whores should probably look elsewhere because as far as Arnie films go, its a relatively slow burner, focusing more on suspicion between members of the team than using the Korean army’s entire armoury to blast their way out of trouble Expendables style.
The Governor is his usual charming, gun toting cigar chomping self, in charge of looking after his team and dealing with his own personal demons of loss. He may be knocking on a bit and not as ripped as he once used to but there’s no elder statesman you’d rather have backing you up. Sam Worthington manages to show off a side that goes beyond his usual Keanu-style monotone mumblings and manages to convince us of the fear that his character feels regarding who’s next on the cartel chopping block. Not a jaw dropping performance by any stretch of the imagination but it’s an improvement.
The film manages to do well at keeping the viewer guessing who’s behind the killings. There’s always the cartel there as the big bad guys but there’s always this apparent inward suspicion of each other between the DEA agents which manages to keep things interesting. Although I do believe that it was overdone with a rather dramatic character and plot twist at the very end which doesn’t as much tarnish the entire film but just slightly soils it.
There’s a good few car chases and gun fights for those of us who love nothing more than seeing a bit of mindless action on a Saturday night but as stated previously, it’s not budget busting “classic” Arnie. It does the job though.
It’s a welcome return to form for our favourite Austrian, a very enjoyable thriller with some pretty smart action sequences and decent performances all round. Even if most of the budget did go on feeding Arnie’s cigar habit throughout the film (is there one scene in the movie where Arnie isn’t either fighting or smoking?) it’s still a decent little flick that manages to avoid the confines of the formulaic genre it comes from.
Will we be quoting from this in twenty or thirty years time? I ain’t got time to quote…